Millennium 4C06: “Blood Relatives”
The Millennial Abyss | Episodes | Season One
“Blood Relatives” (4C06)
Written by Chip Johannessen
Directed by James Charleston
Edited by George R. Potter
Aired December 6, 1996
Summary
In her role as a clinical social worker, Catherine Black lends her expertise to a heinous case: the slayings of the recently bereaved.
Epigraph
“This generation is a wicked generation; it seeks for a sign, and yet no sign shall be given to it...”
Synopsis
At a Seattle cemetery, James Dickerson, a handsome 20-year-old, lurks outside the chapel during a college football player's funeral. After the mourners leave, James approaches the deceased's mother and sister. Calling himself "Ray Bell," he gains their trust by pretending to be a friend from college. He hugs the boy's grieving mother, savoring the hug in an unsettling way. That night, the mother visits the open grave one last time, when suddenly hands reach out of the grave, and drag the terrified woman inside.
Her corpse is discovered the next day. Bletcher asks Catherine, in her capacity as a Victim Services Department counselor, to talk to the victim's husband. He is angry and refuses to cooperate with the police because they won't let him see his wife's body. Bletcher reveals the reason to Catherine: the body is shockingly mutilated.
At the crime scene, Frank is able to feel the rage of the killer. He senses the rage is not directed toward the victim but toward someone else. Perhaps her late son? Frank interviews the family at the chapel. His obvious sympathy reaches them. They realize the stranger calling himself Ray Bell is most likely the killer. Frank discovers that the dead boy's football team pin is missing from the body.
Inside his spartan, institutional bedroom, James wears the missing pin, as Connor, older and tougher, bursts in and berates him for blowing curfew. Connor tells James he won't cover for him any more, and orders him to stay inside. After Connor leaves, James circles an obituary in the paper.
After finding the name Ray Bell in the same newspaper as the football player's obituary, Frank realizes James must have attended other funerals before, befriending mourners and taking souvenirs. Last night he crossed the line into murderous violence, possibly for the first time. Next time will be easier for him.
James attends another funeral, and he convinces one of the mourners, Tina, that he was a childhood friend of the deceased. He takes her to the lake shore, where he pretends to share memories so convincing that Tina breaks down in tears. He hugs her, savoring the moment beyond all reason. Sensing something is wrong, Tina pulls away. Reacting to her alarm, James apologizes and leaves her. Soon afterward, while grieving alone, Tina is viciously attacked.
Tina's mutilated body is discovered in the lake. When they find a message carved on her abdomen ("Stop Looking"), Frank realizes there must be a message on the first body too. He asks Peter Watts to look for it. Frank finds Tina's barrette, and Watts is able to lift fingerprints that identify James Dickerson: a recently paroled convict with a sealed juvenile crime record, now living in a group home. When the police surround the house, Connor—the trustee—secretly helps James escape.
They search James' room and discover his secret stash: a journal and pen, newspaper obituaries, and small souvenirs he's taken from funerals. Catherine analyzes James as a classic lost child. In and out of foster homes, abused and neglected, James raised himself. Going to funerals is his attempt to connect with the world, to find emotional contact and family. Previous foster families described James as a loving kid. What pushed him over the edge to violence?
Meanwhile, James hides out at Skorpion Salvage, a junkyard patrolled by vicious dogs. Connor brings James food and comforts him when he denies murdering anybody. Connor's feelings for James obviously go beyond mere friendship.
Frank notices that the "S" carved on the first victim's stomach is the same stylized design as the "S" on the Skorpion Salvage giveaway pen found in James' stash. He realizes James must be hiding at the junkyard. But when Frank and the police move in, the dogs viciously maul James and Connor escapes.
Catherine interviews Mrs. Dechant, James' birth mother. Now a typical suburban housewife, she gave James up for adoption as an unwed teenager. James showed up abruptly three years ago, wanting to be part of her life, but she rejected him. Catherine begs for her help, and Mrs. Dechant reluctantly agrees to see him.
When Mrs. Dechant visits James in jail, he greedily hugs her: his effort to find meaning in the world by grabbing another human being and never letting go. Mrs. Dechant bolts from the room, unable to go through with what they ask. James is a stranger to her, and is the state's problem. Connor watches the whole thing.
Though James had contended his innocence up to this point, after his mother rejects him, James confesses. But Frank is dissatisfied. As he and Catherine drive away, he realizes the truth in a flash. Connor wants James all to himself. "Stop Looking" is his warning to James. Stop looking for love from anyone else. And Mrs. Dechant will be Connor's next victim.
Unaware that Connor lurks nearby, Mrs. Dechant is attacked while she is preparing a bath. Frank enters the house and makes his way to the upstairs bathroom after seeing water dripping from the ceiling. He gets there just in time to interrupt Connor. Mrs. Dechant is wounded but alive. Connor tries to garrote Frank, but Frank manages to knock Connor backwards into the bathtub and hold him underwater until he loses his strength to fight.
Connor is arrested and charged with the crimes, as James, cleared of any crimes and recovering from his wounds, starts picking out obituaries.
Starring
Lance Henriksen as Frank Black
Megan Gallagher as Catherine Black
Bill Smitrovich as Lt. Bob Bletcher
Guest Starring
John Fleck as Connor
Sean Six as James Dickerson
Brian Markinson as Detective Teeple
Stephen James Lang as Detective Giebelhouse
Lynda Boyd as Mrs. Dechant
Nicole Parker as Greer Cort
Diana Stevan as Mrs. Cort
Bob Morrisey as Mr. Cort
Deanna Milligan as Tina
Production Credits
Production #4C06
Music by Mark Snow
Production Designer Sheila Haley
Director of Photography Robert McLachlan
Associate Producer Jon-Michael Preece
Consulting Producer Ted Mann
Consulting Producer James Wong
Consulting Producer Glen Morgan
Co-Producer Ken Dennis
Co-Producer Chip Johannessen
Co-Producer Frank Spotnitz
Co-Executive Producer Jorge Zamacona
Co-Executive Producer Ken Horton
Co-Executive Producer John Peter Kousakis
Executive Producer Chris Carter
Location
Book Excerpt
“The resolve that Frank demonstrates when he is faced with the barrier of a river, lake, or other body of water is what allows him to dip beneath the murky, seemingly impenetrable surface of the human psyche. Lieutenant Bletcher leads a police force possessed of pedestrian thinking and limited imagination; Frank Black is a man of wholly unconventional thinking with the courage to match it.”
—Brian A. Dixon
Back to Frank Black
REVIEWS
“In a series that has never made a bad episode, this stands out better than most. 'Blood Relatives' is a solid story centering around a dark, but perfectly thought out, plot and boasting excellent performances... In the best Millennium tradition, things are never quite what they seem, and the overriding feeling at the end is of sadness and hopelessness.”
—Andy Lane
Dreamwatch
“A recent Millennium, which dealt with a troubled youth who just couldn't resist the funerals of strangers, seemed to back off from the show's usual apocalyptic piffle and concentrate on two things that, until then, had been of minimal concern: story and characters. It was a marked improvement.”
—Associated Press
“Batting two for two, Millennium hits another home run by marrying an original premise to a creepy causality to create an installment that is as shocking as it is sentimental. With elements reminiscent of Cracker’s 'Best Boys'—troubled teen looking for love from the mother who abandoned him—we get a great set of villains, a nice bit of police work by Bletch and the boys, and even the incorporation of Catherine into Frank’s line of work. She counsels the families affected by the uninvited mourner and more than holds her own against the Seattle PD and her husband’s hush-hush organization. With a nice open ending and a very atmospheric, moody tone, this episode really excels.”
—Bill Gibron
DVD Talk