Brian A. Dixon
Brian A. Dixon is a writer, cultural studies scholar, and media critic. His fiction has appeared in the pages of publications such as Connecticut Review, Zahir, A Thousand Faces, and The Beacon. His drama has been seen Off-Broadway. His academic writings include studies concerning multimedia in the classroom, nineteenth-century American literature, detectives in film and fiction, ethnic humor in British sitcoms, archetypes in comic books, the works of Ian Fleming, and the James Bond films. Dixon has served as the assistant editor of ATQ: The American Transcendental Quarterly and as the editor of Revelation: Apocalyptic Art and Literature. He has edited volumes including Figures of Freedom: Representations of Agency in a Time of Crisis (2024), the acclaimed television retrospective Back to Frank Black: A Return to Chris Carter’s Millennium (2012), and Columbia & Britannia: An Alternate History (2009), nominated for the 2010 Sidewise Award for Alternate History.
Fiction
Books
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Figures of Freedom
Figures of Freedom: Representations of Agency in a Time of Crisis (2024), edited by Brian A. Dixon and Randy Laist, examines how recent narratives in literature, on television, and in film have reimagined themes of personal and political agency in the context of twenty-first-century aspirations and anxieties.
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Back to Frank Black
Brian A. Dixon and Adam Chamberlain are the editors of Back to Frank Black: A Return to Chris Carter’s Millennium (2012). The acclaimed television retrospective features a number of behind-the-scenes interviews with cast and crew written by Dixon as well as an original essay from the author.
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Columbia & Britannia
Columbia & Britannia: An Alternate History (2009) reimagines the course of world events through the lens of speculative storytelling. Edited by Brian A. Dixon and Adam Chamberlain, the anthology blurs the boundaries between fact and fiction. The book was nominated for the 2010 Sidewise Award for Alternate History.